So why were we shooting with these cameras and why is Lucasfilm’s producer Rick McCallum interested in them? First off Lucasfilm has been at the forefront of digital technology. They were instrumental in getting a 24p Sony HD camera to use for some shots in Episode 1 of Star Wars and shot episode 2 & 3 entirely digitally. So being ahead of the pack has always been something they do. Pushing the reluctant industry forward kicking and screaming! Rick and Mike had seen what these cameras were capable of and wanted to really know just how much you could push them. They had seen mine and others work online but really wanted to see how well they performed projected. The joy of these guys is they have a great attitude. If it looks great on the big screen then that is the most important thing. Not codecs, limitations, bit rates etc…all those are very important but the most important thing by far for them is how it actually looks and it passed with flying colours. That is what they really care about. – from Philip Bloom
Talking of flying, that is a big reason why I was there. Lucasfilm had just finished principle photography on “Red Tails”, a WWII film about an African American fighter squadron. They filmed this in Prague and needed to film pick ups early next year. Much of this was going to be intimate in cockpit stuff and flying shots. They shot the movie on the Sony F35 but this is a beast and utterly impractical for the cockpit stuff. Hence the Canon DSLRs. They were also looking at new ways to shoot the much anticipated “Star Wars” live action TV series. So they wanted to see how well the 7D and 5DmkII stood up with this in mind. Not necessarily shooting on these cameras but perhaps the next evolution of them.